Musical Collaboration in Rhythmic Improvisation
نویسندگان
چکیده
منابع مشابه
Rhythmic entrainment in communicative, dyadic improvisation
In our everyday interactions with others, we rhythmically entrain with the movements of each other’s bodies and voices, and this entrainment seems to share a quality with that of musical interaction. In order to understand this quality, we have taken the case of improvisation where both musical and linguistic interaction are considered as performance, and compare how we entrain when we jointly ...
متن کاملMultiagent Collaboration in Directed Improvisation
Directed improvisation is a new paradigm for multiagent interaction. One or more human users direct one or more computer characters with scripted or interactive directions. The characters work together to improvise a course of behavior that follows the directions, expresses their distinctive individual styles, honors ocial conventions, and meets other objectives. The resulting "performance" ref...
متن کاملTowards Co-Evolutionary Musical Improvisation
This paper describes a work in progress on coevolving Artificial Neural Networks (ANNs) for music improvisation. Using this neuro-evolutionary approach the ANNs adapt to the changes in the human player’s music as input, while still maintaining some of the structure of the musical piece previously evolved. The system is called P R I M A L I M P R O V and evolves modules that are composed of two ...
متن کاملThe neuroscience of musical improvisation.
Researchers have recently begun to examine the neural basis of musical improvisation, one of the most complex forms of creative behavior. The emerging field of improvisation neuroscience has implications not only for the study of artistic expertise, but also for understanding the neural underpinnings of domain-general processes such as motor control and language production. This review synthesi...
متن کاملWhat makes musical improvisation creative ?
Background in musical improvisation and creativity. What makes musical improvisation creative? And what exactly is it that justifies one improviser being described as more creative than another? For a clearer understanding, it is a practical necessity to use an approach such as those of Berliner (1994) and Gibbs (2010), who make the study of improvisational creativity more tangible by identifyi...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
ژورنال
عنوان ژورنال: Entropy
سال: 2020
ISSN: 1099-4300
DOI: 10.3390/e22020233